December 09, 2020

Great news, fellow Joel fans! For All Mankind has gotten a very early renewal, more than two months before the premiere of the second season. Congratulations to the cast and crew!

DEADLINEFor All Mankind is getting another early renewal. Apple TV+ has ordered a third season of the alt-history Space Race drama from Ronald D. Moore and Sony Pictures Television. The renewal comes more than two months before the series’ Season 2 global premiere on February 19. Production on the new season is slated to begin next spring.

For All Mankind‘s second season was picked up ahead of the show’s November 2019 series debut. It recently wrapped production, which had been interrupted by the coronavirus pandemic. The sci-fi drama had two episodes left to shoot from its ten-episode Season 2 order when filming shut down industrywide in mid-March. For All Mankind was among the first scripted series to resume production in August.

December 03, 2020

Joel is Sharp magazine’s final cover star of 2020! The Zoom interview delves a little into the characters that Joel has portrayed over the years. Check it out below, and outtakes in our gallery!

When Joel Kinnaman joins our Zoom call, I’m surprised to see a cloudless sky and shimmering ocean. He tells me that he and his best friend have recently decamped to Chicama, a small coastal town in northwestern Peru, for a holiday after wrapping production of the second season of his Apple TV+ show For All Mankind, which airs in January. “I’m in some kind of surfing paradise, and at the same time being consumed by the election and following that, biting my nails off,” he says, flipping the camera to show me the breathtaking view of the world’s longest wave.

This election represents a pivotal moment in American history. The agonizing process of counting votes in the days leading up to Biden’s win let our imaginations run wild about what the future holds. What does the future of democracy in America look like? How will this election shape the course of history? (Much to Kinnaman’s relief, two days after we speak, Joe Biden is voted president-elect and Kamala Harris, the first Black woman vice president–elect.)

These kinds of “what if” projections about the future are at the core of For All Mankind. The show presents an alternate history of the space race in which the Soviets beat the Americans to the moon. Kinnaman stars as Ed Baldwin, one of NASA’s top astronauts, who led the failed lunar mission, demoralizing NASA but inspiring the Americans to catch up, training women and women of colour — marginalized groups excluded from space exploration at the time — in the process. “The actual space race was kind of a depressing story,” says the Swedish–American actor. “It was like, we went to the moon and that was amazing, and then everyone was hoping and felt we were headed to outer space to continue human exploration, but then it just got dismantled.”

Kinnaman was drawn to the show’s intelligent writing and powerful storytelling. Each season jumps ahead in time, depicting the lasting political and cultural impact of life-changing events. “I thought it was just such a smart way of both telling that story, of leading up to that story, and then where we wanted it to go,” he adds. “It’s a way of telling a historic story with complete creative freedom for where it goes.”

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December 03, 2020

Check out the first official trailer of Brothers by Blood, which comes out in US theaters on January 22, 2021! It will be released earlier in France with the title Sons of Philadelphia on December 30th.

November 25, 2020

Firstly, Joel is celebrating his birthday today, and we would like to wish him a very happy birthday! Hope you’re staying safe and healthy, and that you have an amazing day. Grattis på födelsedagen!

I have updated the gallery with high-quality stills and high-resolution screencaps from the film, The Secrets We Keep, which came out in VOD last month. If you haven’t seen the film yet, I recommend you do!

P.S. If you’re on Instagram, follow us at @joelkinnamannet!

November 13, 2020

Vertical Entertainment has acquired distribution rights to the crime drama, Brothers by Blood, which was previously known as The Sound of Philadelphia, starring Matthias Schoenaerts and Joel Kinnaman. It is set for release in select theaters and on demand on January 22, 2021.

VARIETY – Jérémie Guez wrote, directed and produced “Brothers By Blood,” based on Pete Dexter’s 1991 novel “Brotherly Love.” Set in Philly, the film follows Schoenaerts’ character named Peter, who watches helplessly a his sister is murdered — a brutal occurrence that leaves him with lasting generational wounds. The cast also includes Maika Monroe and Ryan Phillippe.

“‘Brothers by Blood’ explores family ties and the weight of the past that is transmitted from generation to generation, themes that have obsessed me since I was a kid and influenced me both as a writer and a director,” Guez said. “It has been an immense privilege to adapt Pete Dexter’s novel for cinema and an even greater privilege to be able to do so with such formidable actors. I am beyond thrilled to bring this story to audiences everywhere.”

“It’s fitting that a thriller like ‘Brothers by Blood’ be set against the backdrop of The City of Brotherly Love,” said Rich Goldberg, co-president of Vertical Entertainment. “With a plot that keeps you guessing, the film examines the costs of family loyalty and what anyone is willing to do — or not do — to prove that loyalty. We can’t wait to bring a film as exciting as this one to audiences everywhere.”

November 08, 2020

The Informer is finally out in VOD! Check out this interview of Collider with Joel, wherein he discussed the film and where would Stephen Holder might be now.

COLLIDER: The twists and turns in this movie really surprised me.
JOEL KINNAMAN: Glad to hear it. We love this movie. I was so stoked when we got it and with the cast that we were able to put together, so it was really frustrating when the American distribution went bankrupt and it’s been in limbo for awhile. I can’t wait for it to finally reach American audiences.

When something like that happens, how hard is it to deal with when it’s totally out of your control and there’s nothing you can do about it other than wait?
KINNAMAN: It’s a bummer. Of course, you focus on other things but it’s frustrating, especially since we had an international release of this and it got really well-received and did great in a bunch of European countries where it got released, so I was dying for it to come out here but it just sat on the shelf for a while. Fortunately, it got snagged out of its limbo and now people are gonna be able to see it. It’s actually a great time for it to come out because it’s out in a drought of quality new content

When this came your way, what was it that made you want to do it?
KINNAMAN: It was a combination of things. First of all, I thought the story was great. I loved the undercover aspect of it. And then, I just thought the character was super compelling. It’s a man put in a really difficult situation and he’s literally fighting his way back to his family. I thought the character had a lot of layers and nuance, and he’s a real soft, vulnerable family guy. At the same time, he’s put in this situation and he has training from the military, so it makes him effective. His emotional pendulum swings from pretty big extremes. And then, we were able to get such a great cast on board with this film – Rosamund Pike, Clive Owen, Ana de Armas, and Common.

Then, I thought Andrea [Di Stefano] was a great director. I’d actually read this script a couple of years earlier, in a different iteration when it felt a little bit more like a programmer, and then Andrea really gave the characters more nuance. He shifted some of the more sticky parts of the script and made it more believable. While we were shooting it, he put a lot of emphasis on making it feel realistic. He did a lot of research. We had high-level FBI consultants that supported the way that the FBI business was conducted in the film, and it was the same thing for how the prisons work. We’re not the first film that shows it but you get to see the merit of the modern American prison system that’s overpopulated, where people don’t even have their own cells and they’re in dorms with bunk beds, and the level of insecurity that the inmates are under is portrayed in our film. So, there were a lot of really good elements to this. And of course, in the middle of it was this really white knuckle, hard-boiled action thrill that had a great pace. I thought it was a great opportunity.

Did you have any idea that this had also been based on a Swedish novel (Tre Sekunder by Roslund & Hellström)?
KINNAMAN: I found that out but I was actually already attached to it and had already met with. When I jumped in, I was like, “Okay, so let’s read the novel that it’s based on.” And then, I realized that it’s a Swedish novel and a Swedish character. That actually was a circumstance that I wasn’t aware of. A lot of people thought that that’s why I got attached to it but it wasn’t that, at all. It was pretty cool.

This guy is a family man who seems to be willing to do whatever it takes to protect his family. What was it like to form that family bond, not just with Ana de Armas but also with the young actress that plays your daughter?
KINNAMAN: She was fantastic. They did such a great job of casting. She was actually British but she just nailed this American accent. Some kids just have an ear for it and they’re able to do it much quicker than adults. Ana brought so much to it, as well. I hadn’t seen her do much before we played together but I realized really quickly that she was gonna be a real player. She’s super talented and just has an incredible temperament and ability. Also, her Latina background gave her a sense of how family is everything. I think that really resonated for her. You can tell in how strongly she felt about that.

What are some of your personal favorite crime movies or prison movies, and did you take any specific inspiration from an of them?
KINNAMAN: The Profit is probably my favorite prison movie. There’s a Danish movie called R that’s also incredible. That actually came out the same year as The Prophet and it didn’t get so much attention because they had a lot of similarities. Of course, The Shawshank Redemption is the Hollywood fluff version of it but is still one of the greatest movies of all time. I love that movie.

That’s certainly a movie that makes me cry anytime I see it.
KINNAMAN: Me too, at the end when he walks out onto the beach. I’ve always wanted to do a prison film. It’s something that a lot of people, and men in particular, think about. It’s a fantasy that you have, especially growing up, about what it would be like to end up in prison and how you would fare. It’s one of those nightmare prospects that you have. I always wanted to explore that in a film scenario and not in reality.

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