Joel appeared in The Late Late Show with James Corden last August 22. Check out two clips from his appearance below.
I’ve put up new layouts here on the main site and in the gallery! I’ve been slowly working on this for the past two weeks and I’m excited to finally apply it. I hope you all love it as much as I do.
Also, sorry for the delay on this, but I have finally added some posters, production stills, and promotional photos from Suicide Squad that I was able to collect the past week. Check them out!
What’s been your reaction to Suicide Squad‘s negative critical reception?
Of course, you want to get great reviews. But the existence of an actor is basically, 95% of the time, we’re being told that, no, that wasn’t quite right. You have to develop pretty thick skin, and make yourself not completely dependent on what other people think.
In a film like Suicide Squad, the main ambition is to entertain. It doesn’t have any political aspirations. It doesn’t really dig deep, other than to portray these characters honestly. So with that kind of ambition, it becomes even more important what the fans think. I was disappointed, and I thought it was unjust the way that we were reviewed in some of the magazines. But at the same time, I was really happy, and actually a bit blown away, by the fans’ response. I don’t remember ever seeing a bigger split between what the critics and the audience thought of a film. It was a pretty big difference.
Would you be up for a sequel?
For sure. We had so much fun making this film. We really became a little family. So if nothing else, I want to do another one just so I can hang out with all of my friends again. I definitely think that, if this film is successful, then they’re going to do another one.
Did you film Edge of Winter before or after Suicide Squad?
Before. I finished Edge of Winter eight days before my first shooting day on Suicide Squad. It was fortunate that they were both sort of in the same neck of the woods. I shot Edge of Winter in Sudbury, Canada, which is a 4- to 5-hour drive from Toronto. So on a couple of the weekends that I had on Edge, I went down to Toronto and did some stunt training and stuff like that.
I would have loved a little bit more time in between them, but you don’t get that luxury. I had five days between Suicide Squad and House of Cards after that, so it was a pretty hectic year.
How do you manage such a transition, especially between such varied projects?
You just flip that switch, and you focus on what’s ahead of you. Edge of Winter was such a short shoot. We shot it in 19 days, and probably with a smaller budget than the catering department had on Suicide Squad[laughs]. But at the same time, every day on a film like this, you’re doing something substantial. And this character was one of the most challenging I’ve ever done. That’s what drew me to the film, was the opportunity to try to portray and give an understanding to a man, and to a type of man — you know, it’s so hard to find a redeeming quality about a man that becomes a threat to the life of his own children. I’m drawn to a lot of different kinds of characters, but I felt that this was a really unique opportunity. A character like this, he can say a lot about our whole society. Because some people are wired in a certain way where they’re just not quite able to function in society if they don’t get a very special attention, or if they fall under certain circumstances.
I found that really intriguing — and not just to do a villain; to give an audience an understanding of what’s behind this kind of behavior. Because I think that understanding is the key. When we just rule somebody out as crazy, that’s when we can’t learn from our mistakes, and that’s when we can’t prevent [bad choices] from happening again. There are a lot of films made about revenge and these primal emotions, which I have a lot of understanding for. But it’s also really important to make films where somebody that has done something incomprehensible — you can at least see what kind of person he is, and where he came from. I think it makes us more whole, to get that kind of understanding. I think this was an opportunity to do that, but in a film that’s also a very exciting, heart-thumping psychological thriller.
I read that you grew up in Sweden, but your father was American. Could you tell us what it was it like growing up there and what kind of influence that bicultural exposure had on you?
Growing up in Sweden, I went to an English school where there was a huge mix of kids with different nationalities from all over town. Some of them were wealthy diplomatic kids, and some were from the ghetto suburbs. Going to school in that sort of context around so many different ethnicities and walks of life made me feel that I wasn’t completely Swedish, but that I was more a part of this global, second-generation immigrant community because my father was American.
As a kid, who would you say inspired you to begin acting and why?
It was a combination of things. My sister was an actress, so I saw her do her thing and understood that it was a profession that I could take seriously and do for a living. It also helped that she found a lot of success at a young age and got to work with all the great Swedish film directors such as Lasse Hallström, Ingmar Bergman, and Bo Widerberg, so that really sparked my interest. I also had a good friend of mine that was really into acting, so I was surrounded and exposed to the craft from a pretty young age.
How did you begin your acting career?
After high school I decided I was going to travel for 7 years to make up my mind about life. So to save up money, I planned to work in construction and do all these odd jobs while traveling, but I only got through 1.5 years of that [Laughs.] and decided to apply to the Swedish National acting school. I didn’t get in right away though. It took a while because in Sweden, you have to prepare monologues to apply, and they only accept about 10 applicants out of 1,500. But as I began preparing these monologues, I was able to viscerally experience the material in a way where I could shape the words and move through the scene as if I was actually there. I had this feeling that I might actually be good at this and became hooked. Needless to say, I got accepted to the program.